Places & Travel

Theodore Solotaroff, founder of The New American Review, died Aug. 8 of complications from pneumonia. He was 79. An influential man in the publishing world, Solotaroff helped writers like Philip Roth achieve recognition.

Russia and Georgia have signed a cease-fire, but the conflict continues. Journalist James Traub, author of The Freedom Agenda: Why America Must Spread Democracy (Just Not the Way George Bush Did), discusses the latest developments.

There are 100,000 private military contractors in Iraq. Mercenary John Geddes explains why he thinks this is a good thing. His new book Highway to Hell is an account of his experiences in Iraq as a soldier for hire.

Journalist Mike Chinoy, author of Meltdown: The Inside Story of the North Korean Nuclear Crisis, discusses North Korea's development of nuclear weapons and America's attempts to stop their program.

As a journalist, John Darnton spent 40 years at The New York Times. As a novelist, he writes colorful mysteries. His newest murder yarn, set in a big-city newsroom that seems awfully familiar: Black and White and Dead All Over.

Jazz critic Kevin Whitehead reviews A Power Stronger Than Itself: The AACM and the American Experimental Music by George E. Lewis. The book tracks the history of Association for the Advancement of Creative Musicians, an organization that promoted the development of new jazz styles.

With a tightly woven narrative, James Marsh's superb documentary studies Philippe Petit's high-wire walk between the Twin Towers. Critic David Edelstein says the film is often awe-inducing.

TV critic David Bianculli reviews Mad Men, the drama about advertising execs during the Kennedy years. Season two of the Emmy-nominated series begins on Sunday night on AMC.

Book critic Maureen Corrigan picked out two debut books by young writers that mix personal history and social commentary

Barack Obama has been portrayed as an outsider candidate — an idealist not mired in the political game. But Ryan Lizza says that a look at Obama's political history in Chicago might offer a different view of the candidate. Lizza is the Washington correspondent for The New Yorker, and has been tracking the Obama campaign.

Fresh Air's film critic reviews Jonathan Levine's film — a comedy, starring Ben Kingsley and Josh Peck, about a drug dealer, his shrink and the difficulty they both have growing up.

Martinis, misogyny and men behaving badly: AMC's drama series remembers an era's excesses in stunning style. The setting: a Manhattan ad agency, circa 1960. The first season has just been released on DVD.

With plenty of nods to The Great Gatsby Joseph O'Neill's Netherland explores dreams and ambition in post-Sept. 11 New York City. Maureen Corrigan calls the novel "marvelous."

From jazz concerts and cabaret acts to multimedia art installations, Theo Bleckmann has made a name for himself in new York. Now, the vocalist and composer looks back to his native Germany.

Hopkins, which premieres tonight, is the sequel to a 2000 ABC documentary series that told intimate, very real stories about medical staff and patients at Baltimore's Johns Hopkins University. Fresh Air's TV critic has a review.

Inspired by Sinn Sisamouth and other Cambodian stars of the '60s and '70s, brothers Zac and Ethan Holzman created a fusion cover band — complete with a former Cambodian pop star who had recently moved to Los Angeles.

The debut short-story collection by Nigerian writer and Jesuit priest Uwem Akpan offers a sobering view of a world in which atrocity is commonplace, and the unthinkable is the everyday.

Adam Sandler's all-potent Israeli hero is a Biblical warrior, a sex god, and a take-no-prisoners hair-burner with a Paul Mitchell fetish. Juvenile he may be — but there's something mesmerizing about him, too.

Journalist Ahmed Rashid's new book, Descent into Chaos, examines the Unites States' nation-building efforts in Pakistan, Afghanistan and Central Asia. Rashid argues that U.S. efforts have failed — and served to destabilize the region further.

Four years after Sex and the City's TV finale, Carrie Bradshaw and her posse return — a little older, a little more settled, but with Cosmos still in hand. If you loved the TV show, the movie will fly by; if you hated it, brace yourself.