China--Hong Kong

Jane Gardam has spent her long career writing dry, honest books about British life. Her new novel, The Man in the Wooden Hat, showcases the regrets of a woman never quite sure that marrying her husband was the right choice. Critic Maureen Corrigan calls Gardam the best British writer you've never heard of.

Oscar winning British actor Jeremy Irons. He stars in two new movies this year: "Chinese Box" and "Man in the Iron Mask". His films include: "The French Lieutenant's Woman," "Brideshead Revisited," "Reversal of Fortune," and "Dead Ringers."

Journalist Stan Sesser. He is a former staff writer for the New Yorker and the senior fellow of the Human Rights Center at the University of California at Berkeley. Sesser has been following the events leading up to today's takeover of the British-ruled Hong Kong by the Chinese government.

Film critic John Powers reviews Peter Greenaway's new film "The Pillow Book."

Journalist Stan Sesser is a former staff writer for the New Yorker and the senior fellow of the Human Rights Center at the University of California at Berkeley. He's been following the imminent takeover of the British-ruled Hong Kong by the Chinese government. He says while Hong Kong will most likely preserve its economic freedom, the July 1 takeover calls into question the future of its democratic government and civil-liberties laws.

Film critic Lisa Schwarzbaum reviews Hong Kong marshall arts master Jackie Chan's new film, "Supercop."

Film Critic for the L. A. Weekly Ella Taylor reviews the new movie "Chungking Express" by writer/director Wong Kar-Wai.

Chinese chef Ken Hom. He's the author of the new cookbook, "Fragrant Harbor Taste: The New Chinese Cooking of Hong Kong." Hong Kong is in the midst of a culinary revolution, with Japanese, European, and American foods and styles of preparation all merging with traditional Chinese cuisine. Hom has taught cooking in Hong Kong for the past ten years. He's also written several previous cookbooks and hosted the public T-V series "Ken Hom's Chinese Cookery."

Filmmaker Wayne Wang. With the films "Chan is Missing," "Dim Sum," and "Slam Dance" to his credit, Wang is the first Chinese-American film director to make an impact in the American film industry. Wang has focussed his work around the problems of identity and assimilation, and other issues in the lives of Chinese-American immigrants. He made his first film, "Chan is Missing," on a budget of only $22,000, but the mystery set in San Francisco's Chinatown became both a critical and box-office success.