Marriage

Lizzy Caplan-one of the stars of the series Fleischman is in Trouble–talks about marriage, parenthood and middle age. She’s also known for her roles in Mean Girls, Party Down, Freaks and Geeks and Cloverfield. She was nominated for an Emmy for her performance in the series Masters of Sex.

The series "Fleishman Is In Trouble" was adapted by our guest, Taffy Brodesser-Akner, from her novel of the same name. The complete season is now streaming on Hulu. Brodesser-Akner is also known for her celebrity profiles in GQ and The New York Times, where she's a staff writer for the magazine.

Hemingway, the latest PBS documentary series from Ken Burns and company, has several names attached who have become a sort of repertory group. Lynn Novick, Burns' frequent co-director, is back. So is writer Geoffrey C. Ward, who helped make Burns a PBS phenomenon with the landmark non-fiction mini-series The Civil War. And the narrator, who has lent his voice to so many past productions, is Peter Coyote.

Film critic John Powers reviews About Schmidt starring Jack Nicholson.

Alec Baldwin has been keeping busy lately. The star of the animated film The Boss Baby has a new memoir out and also keeps popping up on Saturday Night Live to play President Trump.

The Showtime show is about two people who betray their spouses and fall into a relationship. It's told from more than one perspective, and the actors are so likable, you forgive them their trespasses.

Sarah Waters' spellbinding novel -- about two women in 1920s London -- is no simple period piece. Waters is a superb storyteller with a gift for capturing the layered nuances of character and mood.

A new film explores the affair between Dickens and a young actress for whom he left his wife, but who for years never showed up in biographies of Dickens. It's the second film directed by Ralph Fiennes, who also plays Dickens.

Judd Apatow draws on his own experiences as a husband and father in a new comedy that explores the ups and downs of family life. The film stays close to home, literally and figuratively. It stars his wife, Leslie Mann, as well as their two daughters, and was filmed a few doors down from his house.

Terence Davies' newest film is a free adaptation of Terence Rattigan's play The Deep Blue Sea, starring Rachel Weisz as a woman who leaves her older, aristocratic husband for a young and penniless ex-officer. (Recommended)

The star of Showtime's bloody crime drama talks about the show's eventual plans for an ending — and also about matters both professional and personal, from how he plays an emotionless killer to how Hall himself, while filming Dexter, has dealt with both cancer and a divorce.

Fred Astaire and Ginger Rogers weren't the only famous Hollywood musical team of the 1930s. Jeanette MacDonald and Nelson Eddy also starred in a series of operettas. But classical music critic lloyd Schwartz says the couples achieved their success in quite opposite ways.

After six years on Saturday Night Live and many supporting film parts, Kristen Wiig has her first starring role in the romantic comedy Bridesmaids, which has been touted as a Judd Apatow movie for ladies. Critic David Edelstein says it's likely to be a hit with both women and men.

Stewart O'Nan's moodily comic novel, Emily, Alone, follows an 80-year-old woman as she navigates the minutia of everyday life. O'Nan explains how he got inside Emily's head -- and why he wanted to write about the daily indignities of getting older.

In his new novel, Emily, Alone, Stewart O'Nan explores the topics of widowhood and old age -- but the book never feels stale, says Fresh Air's Maureen Corrigan. Instead, it is a charming, quiet meditation on getting older.

Former CIA operatives Robert and Dayna Baer met on the job and fell in love. They talk about their relationship and some of their assignments in The Company We Keep: A Husband-and-Wife True-Life Spy Story.

The Farrelly brothers' latest comedy stars Owen Wilson and Jason Sudeikis as sexually frustrated men given a week off from marriage by their spouses. Movie critic David Edelstein says the movie's premise — while creepy — leaves viewers "with a sad and wise view of adulthood."

The six-time Emmy winning writer explains how he came up with the idea for the major plot shakeup at the end of the third season and details his favorite moments from the series.