Music

Fresh Air Terry Gross's most pressing question for the blues and gospel group is, Why hasn't she heard of them before? For over twenty years, the real life brothers Sherman and Wendell, along with bandmate Popsy Dixon, have performed soulful, vocal-driven music. Their new album is called In the Spirit.

Classical music critic Lloyd Schwartz says a new recording of the ballet, performed by the Boston Symphony Orchestra and conducted by Bernard Haitink, lacks sexiness and uniqueness -- but the orchestra's precision allows the musicians to shine.

During the 1950s and '60s, record labels were subject to criminal investigations over their practice of paying radio stations for airplay of their songs. A new book by Fredric Dannen, about the way the payola system has re-emerged, is called Hit Men.

Jazz critic Kevin Whitehead says the multi-instrumentalist genre-hopper is distinctive; but his music has been largely overlooked, in part because may considered his eclectic approach middle-brow. Whitehead hopes two new reissues of Kirk's music will bring Kirk some much-deserved attention.

World music critic Milo Miles says that some of the first recorded black music in the United States was calypso, despite the fact that that the style originated in the Caribbean. Calypso, most often performed during Carnival, was known for being extremely topical -- performers were expected to improvise songs on the spot about current events.

Ken Tucker reviews the former Stooges frontman's record Brick by Brick. He says Iggy Pop's solo career has been uneven, but this new effort is fitfully good.

Classical music critic Lloyd Schwartz has nothing but praise for two new CDs on the Pearl label, which feature recordings by the great violinist, Joseph Szigeti. Later in his career, Szigeti's developed a reputation for flagging technique and questionable intonation, but Schwartz says these performances should restore his reputation as a master musician.

The jazz singer and pianist made a splash with his debut album two years ago. But despite Connick's success, jazz critic Kevin Whitehead is not impressed. He says the young musician apes Thelonious Monk and Frank Sinatra, and badly.

Rock historian Ed Ward recently returned from a trip to Hawaii, where he immersed himself in the local music traditions. He says that slide guitar became a staple in contemporary times, and became so distinctive that country musicians in the South imitated the style

Jazz critic Ken Tucker reviews the Jack Kerouac Collection, a box set featuring Kerouac's poetry readings set to musical accompaniment is by Steve Allen, Al Cohn, and Zoot Sims. Fans will appreciate the included booklet, which features photographs and essays about the poet's life and career.

Roberts helped popularize what is now called world music. His interest, particularly in African music, developed while he worked for a news agency in Kenya. Roberts was surprised to discover American influences in some of the songs he recorded, which led him to reject any notion of a pure, national music.

Fresh Air producer Amy Salit interviews Yankovic, who now has eight parody albums under his belt. Before he writes his version of a song, he secures permission with the original artist -- which has given him the opportunity to meet several musicians he admires.

Rock critic Ken Tucker says critical darlings David Berwald and John Hiatt are striving for a commercial sound, but their new, dolorous albums fall flat. On the other hand, Steve Earle's The Hard Way -- the latter half at least -- delivers the goods.

Classical music critic Lloyd Schwartz returns to discuss more of his favorite recordings from RCA's recent batch of reissues of the conductor's many recorded works.

Two of the band's members, Sterfane Mellino and Mathieu Canavese join Fresh Air to talk about the history of their group, and their new album, Mlah. The liner notes are entirely in French -- the band says the decision helps preserve their national identity abroad.

Part I of the Fresh Air interview. Stone's newest movie, about the rock band the Doors, will soon be in theaters. The director is a Vietnam War veteran who earned a Purple Heart; his was experiences informed his early movie, Platoon.

Several bands that emerged from the 1970s punk scene -- including Television, the Talking Heads, the Ramones, and Blondie -- got their start at the Manhattan nightclub. Rock historian Ed Ward tells its story.

Talking Heads frontman David Byrne featured Brazilian singer Margarich Menezes on a recent tour. World music critic Milo Miles says she blew Byrne out of the water. Menezes' politically-informed new album, Elegibo, is intriguing but uneven -- though Miles admits that, as an American listener, he may be missing something.

Dennis McFarland's severe stage fright led him to give up a career as a concert pianist. He chose writing instead, in part because it didn't involve performing in front of an audience. His first novel, about a divorcé whose brother commits suicide, is called The Music Room.

Rock critic Ken Tucker reviews "Banned In the USA" by 2-Live Crew. Their previous album, As Nasty as They Wanna Be, was declared obscene, and they were later arrested for simply performing their music at a concert. Tucker doesn't find much merit in 2-Live Crew' often misogynistic songs, but he vigorously condemns the efforts to criminalize their music.