Music

Jazz critic Kevin Whitehead reviews “Malinke” (Omnitone) the new recording by Marty Ehrlich.

Screenwriter/actress Polly Draper and jazz pianist Michael Wolff have co-produced “The Tic Code.” The new film is about a mother and her son, a musical prodigy with Tourette’s syndrome. The syndrome is a nervous disorder that produces uncontrollable facial tics and jerky muscular spasms, as well as causing strange noises to be emitted from those who have the disorder. Polly Draper wrote the film based on the life of her husband, Michael Wolff.

Rock critic Ken Tucker reviews the new album “Riding With the King” featuring guitarists B.B. King and Eric Clapton.

Biographer Howard Pollack is the author of “Aaron Copland: The Life and Work of an Uncommon Man” (University of Illinois Press). This year marks the 100th anniversary of Copland’s birth. Though Copland was Jewish, gay, and raised in Brooklyn, his work came to personify the American West, with such well known compositions as “Billy the Kid” and “Rodeo.” Copland also wrote “Appalachian Spring,” and “Fanfare for the Common Man.” Copland also wrote the film scores for “The Red Pony,” and “The Heiress.” Pollack is professor of music history and literature at the University of Houston.

Music critic Milo MIiles reviews new albums by two Latin artists: “Make Up for Lost Time” (High tone) by Little Willie G. and “Nava” (Ryko latin label) the debut album by Nava.

The 1957 musical “The Music Man” by Meredith Wilson is currently being revived on Broadway. A talk with two of the stars: Craig Bierko who plays the lead role of traveling salesman and conman Harold Hill originated by Robert Preston. This is Bierko’s first Broadway show. Also co-star Rebecca Luker who plays Marian the Librarian, the role originated by Barbara Cook. This is LUKER’s fourth Broadway role.

Rock critic Ken Tucker reviews “Transcendental Blues” the new recording by Steve Earle.

Singer-songwriter Shelby Lynne. We will listen to her songs and talk to Lynne in studio. Her new CD, “I Am Shelby Lynne” (Universal/Island) is part country and part soul. This is the 6th album for this Alabama-born singer, but it is the first album in which Lynne writes most of the songs. Her other albums were products of the Nashville country music scene. With this new album, Lynne has won over critics and fans alike. Lynne is currently touring the US.

Jazz critic Kevin Whitehead reviews “The Complete Blue Note Horace Parlan Sessions” (Mosaic).

Husband and wife song writing team, Barry Mann and Cynthia Weil, the duo responsible for such songs as “You’ve Lost that Loving Feeling,” “On Broadway,” “We Gotta Get Out of This Place,” “Here You Come Again,” “Don’t Know Much,” and more. The two met when they were both working in the famous songwriting landmark, the Brill Building— Mann as a composer and Weil as a lyricist. The two have been writing ever since. In edition to their many pop hits, Mann and Weil have also written songs for films.

Pop Music Critic Ken Tucker reviews the newest CD by rapper Eminem. It’s called The Marshall Mathers LP.

Classical Music Critic Lloyd Schwartz reviews this year’s Music Festival in Dresden, Germany.

Jazz critic Kevin Whitehead reviews the reissue “Louis Armstrong: Satch Plays Fats” (Columbia/Legacy).

Rock historian Ed Ward continues his retrospective of The Clash

Rock historian Ed Ward begins his two-part series on the British punk band, “The Clash.”

Senior vice president and editorial director of VH1, Bill Flanagan. He’s the author of “A&R” (Random House) a satirical novel about the music industry. Prior to this, Flanagan wrote extensively about the business for “Vanity Fair,” “Rolling Stone,” “Esquire,” and “Spy.” He’s also the author of “Written in My Soul” a collection of conversations with songwriters.

An in-studio concert and interview with guitarist Bill Frisell. His latest recording is “Ghost Town” (Nonesuch).

Editor Tom Kuntz and reporter Phil Kuntz. Their new book “The Sinatra Files: The Life of an American Icon Under Government Surveillance” (Three Rivers Press) excerpts and analyzes portions of the FBI’s massive file on Frank Sinatra. The file is 1,275 pages long and was begun in the mid 1940s and lasted until 1972. Tom Kuntz is the editor of “Word for Word,” a column in The New York Times Week in Review section. Phil Kuntz is a staff reporter for The Wall Street Journal.

Jazz critic Kevin Whitehead reviews “Mood Indigo” (Milestone) the new CD by singer Jimmy Scott.

Also star Vernel Bagneris who also wrote, directed and starred in the hit show, “One mo’ Time’ and the sequel “Further Mo.’