Singers & Singing

Green is one of the greats of soul and gospel music. He's probably best known for his hit, "Let's Stay Together." He'll talk about his secular musical career in light of being a born again Christian.

Classical music critic Lloyd Schwartz previews a new PBS documentary about the groundbreaking, African American contralto.

Baker had a series of hits in the 50s, among them "Bumblebee," and "Jim Dandy to the Rescue." During her hiatus from performing in the United States, she lived in the Philippines and booked concerts for American soldiers.

Rock historian Ed Ward looks at some of the early integrated doo-wop groups. He says unlike today's white acts which appropriate black styles, those early groups truly mixed black and white performers and black and white musical styles.

Rock historian Ed Ward profiles Laura Lee, a gospel singer who in the late 60s and early 70s switched to soul. She became known for her feminist songs "Wedlock is a Padlock," and "Women's Love Rights." After a string of hits she went back to gospel music, recording with Al Green.

Rock historian Ed Ward profiles the influential musician, who had a string of hits in the early 1950s. An automobile accident scarred his face, and he stayed out of the public eye for several years. But Mayfield still made a living from music, with song for other artists -- like the Ray Charles hit, "Hit the Road, Jack."

Rock historian Ed Ward begins a two-part profile of the influential singer, songwriter, and guitar player. Mayfield was recently injured during a performance, and is now paralyzed.

Classical music critic Lloyd Schwartz remembers the great American singer, who died earlier this month at the age of 76. Unfortunately, few of her recordings are currently available.

Shortly after Ray Charles endured a family tragedy, he started to go blind. His mother feared for his future, but Charles was able to make a career in music. Rock historian Ed Ward describes how Charles, who was steeped in the tradition of Nat King Cole, developed his own unique voice.

A live concert with songwriter and pianist Charles Brown. Brown is credited with creating an expressive style of blues that blended rough Texas blues with the soft glamour of Hollywood. Between 1946 and 1952, Brown recorded 20 hits, nine on his own, the rest as part of Johnny Moore's Blazers. He is featured in a new PBS documentary on the history of rhythm and blues.

The Chicago-born Williams sang for the Count Basie Orchestra before beginning a solo career in 1962. In the 1940s, he suffered a nervous breakdown, unsure of what he wanted out of his professional life. After a year in the hospital, he returned to performing, and has a new album called In Good Company.

Rock historian Ed Ward profiles the Chicago-based vocal group, founded in 1952. During their long career, they've only had two lineup changes, and continue to put out hit records.

Staples' new album, Time Waits for No One, was produced by Prince. Early in life, she was discouraged from singing secular music, and later co-founded the gospel group The Staples Singers with members of her family.

The queen of New Orleans soul would have been a bigger star if she had moved to New York or Los Angeles earlier in her career, argues rock historian Ed Ward. Despite her local success, Thomas only had a few national hits. But by all accounts, she's happy now, performing in regional blues circuits and raising her four children.

Part 2 of the Fresh Air interview with Little Anthony. He talks about the making some of his hit records like "Shimmy Shimmy Cocoa Pop" and "Hurt So Bad." He performs regularly in New York, but hopes to reignite his recording career.

Part 1 of the Fresh Air interview with soul singer Little Anthony. He fronted the group the Imperials, and is still performing in New York.

Classical music critic Lloyd Schwartz reviews a new PBS documentary about Maria Callas. He says it's not as well-organized or thoughtful as an earlier film about the opera star; the late singer would be better served by a complete broadcast of one of her performances.

Darlene Love sang with the 1960s girl group The Blossoms, and recorded hits with producer Phil Spector. Their professional relationship was rocky; Love later severed ties with him. Her first solo album, Paint Another Picture, has just been released.

Love was the phantom lead singer on some of Phil Spector's biggest girl group hits, like "He's a Rebel," "(Today I Met) The Boy I'm Gonna Marry" and "Da Doo Run Run." She was in the Broadway productions of "Leader of the Pack" and "Carrie." Her first solo album has just been released. It's titled "Paint Another Picture." This is the first of a two-part interview.