Pop

The husband and wife duo Ashford & Simpson wrote hits for other artists before striking out on their own. Rock critic Ken Tucker says that their focus on contented, monogamous life may seem bland to many listeners, but their soulful pop make their bourgeois values seem sexy.

Raitt's album "Nick of Time," features an eclectic mix of blues, rock, folk, and ballads. She talks about how her musical career has affected her personal life as a woman.

Costello's first album, My Aim Is True, showcased his tough but emotional songwriting and his classic rock star persona. He joins Fresh Air to discuss his growth as a singer, and to perform a few of his songs.

Rock critic Ken Tucker says there has been a long-running tradition of artists performing the hits of past performers, some of whom radically reinterpret the original song. But the success of these efforts is mixed. Tucker considers some recent examples by performers like Kylie Minogue, Cowboy Junkies, and the Dirty Dozen Brass Band.

New performers-in-residence, singer Joan Morris and pianist William Bolcom, play two of their favorite Rodgers and Hart songs.

Charlie Rich was a jazz enthusiast who wrote for many legendary country and rock musicians on the Sun Record Label. Rock historian Ed Ward says, for Rich, recording his own, original music was an afterthought. He had a few hits on various Memphis-area labels, but could never break through into the mainstream.

Rock critic Ken Tucker reviews the new country star's latest album, which flirts with jazzy blues with surprising success.

New York-based John Flansburgh and John Linnell write quirky rock songs on guitar and accordion. For the past four years, they've maintained their dial-a-song service, wherein fans can call a number to hear new music from the band. Their new album is called Lincoln.

The pop star has a new direct-to-video collection of short films featuring songs from throughout his career. Rock critic Ken Tucker says its artistic value is almost nil, but it's worth watching at least once to marvel at the spectacle of it all.

Together, brothers Brian and Eddie Holland, along with Lamont Dozier, wrote dozens of hits for the Detroit label. They worked with other record companies in the 1970s, but, says rock historian Ed Ward, they never their earlier success with Motown.

Rock critic Ken Tucker talks with Fresh Air host Terry Gross about the year in music. He says 1988 had an eclectic array of hits, with folk and hard rock albums both reaching the top of the charts.

After weeks of playing the music that has influenced him over the years, performer-in-residence Malcom Rebennack sings some of his own songs.

Rock critic Ken Tucker says that sales of movie soundtracks have become inextricably tied to the films they come from. He takes a look at three recent CDs featuring songs from Twins, Beaches, and I'm Gonna Git You Sucka.

Aimee Mann fronts the rock group 'Til Tuesday. She wrote several of the songs on their record, Everything's Different Now, with her former partner Jules Shear. The band's drummer, Michael Hausman, joins the conversation.

Rock critic Ken Tucker reviews recent releases by Jesse Winchester and Guy Clark, two country songwriters who are popular with critics, but who haven't yet found mainstream success. Tucker says Winchester's album leans toward new age, while Guy Clark's work may have more in common with folk than country.

The songwriting team of David and Don Was comprise the dance rock band Was (Not Was). The brothers arrange and perform the songs, but feature a rotating lineup of vocalists to sing them. Their newest album is called What Up, Dog.

Jazz critic Kevin Whitehead says the movie star had a range of about six notes, but he had personality and a swinging house band. Yet Astaire deserves praise for making famous several songs which later became standards.

Performer-in-residence Harry Connick, Jr. plays the music of Harold Arlen. While his name may be known to few, Arlen wrote several popular and recognizable songs.

Rock critic Ken Tucker steps out of his comfort zone and reviews three recent best-sellers he otherwise wouldn't have listened to. He says Anita Baker's Giving You the Best That I Got is lush but soulless, while the Bangles' Everything is an excellent ripoff of a 1960s rock album. Duran Duran's Big Thing is the band's attempt to prove they're serious musicians -- but it's a hapless bummer.

Despite recording throwaway pop and calypso songs, Dinah Washington called herself a jazz singer. Critic Kevin Whitehead reviews the third volume of Washington's posthumous greatest hits collection, which features several of her collaborations with jazz musicians.