Jazz

The saxophonist and composer brings back the large ensemble sound on his new album. Jazz critic Kevin Whitehead says the performances are energetic but a often a little too loose. Hemphill's own playing steals the show.

Performer-in-residence Harry Connick, Jr. plays the music of Harold Arlen. While his name may be known to few, Arlen wrote several popular and recognizable songs.

Rock critic Ken Tucker steps out of his comfort zone and reviews three recent best-sellers he otherwise wouldn't have listened to. He says Anita Baker's Giving You the Best That I Got is lush but soulless, while the Bangles' Everything is an excellent ripoff of a 1960s rock album. Duran Duran's Big Thing is the band's attempt to prove they're serious musicians -- but it's a hapless bummer.

Despite recording throwaway pop and calypso songs, Dinah Washington called herself a jazz singer. Critic Kevin Whitehead reviews the third volume of Washington's posthumous greatest hits collection, which features several of her collaborations with jazz musicians.

Performer-in-residence Harry Connick, Jr. performs a few Duke Ellington songs.

Hal Wilner produced the compilation album Stay Awake, which features contemporary artists performing songs from Disney movies. Rock critic Ken Tucker says it's uneven but has unexpected moments of beauty and inspiration. It's more of a baby-boom curiosity than an essential recording.

New Orleans-based performer-in-residence Harry Connick, Jr. performs a few classic standards.

Jazz critic Kevin Whitehead reviews a new album by Charlie Haden, Paul Motian, and Geri Allen. He says Haden's full, chordal bass playing compliments Allen's spare piano melodies. Motian's musical drumming is given equal weight.

Clint Eastwood's biopic Bird delves deep into the personal life and legend of Charlie Parker. Jazz critic Kevin Whitehead says the story fails to connect these often tumultuous moments with the genius of Parker's music.

The jazz piano wunderkind performs some classic swing tunes on piano.

The tenor saxophonist's father led a big band; Jacquet later played with Count Basie's group. He says that, early on, he was able to imitate the sound of great musicians of his era, but was slow to develop his own style.

Film critic Stephen Schiff reviews the new film based on the life of legendary saxophonist Charlie Parker. Schiff says it makes up for its lack of narrative drive with insight and an excellent soundtrack.

Composer and clarinetist John Carter's music takes its cues from a variety of American traditions, including jazz, folk songs, and the works of fellow composers Charles Ives and Morton Feldman. Kevin Whitehead reviews Carter's new album, Fields.

The drummer's new album incorporates dueling saxophones and electronics. Jazz critic Kevin Whitehead says DeJohnette's band leaves behind their more minimal approach for a more contemporary, commercial sound.

Performer-in-residence Dick Hyman talks about the late musician's approach to jazz. Hyman briefly studied with Wilson, who had a light touch and clarinet-like phrasing.

Tom Waits' music is changing, incorporating new styles like tango and Tin Pan Alley. He has a new performance film called Big Time, which features Waits singing different personas, and an album of the same name.

Jazz singer Sheila Jordan grew up in a Pennsylvania coal mining town. She says if she had never heard Charlie Parker, she would have become a country singer. She was recently laid off from her day job of 21 years; now she can perform full-time. Bassist Harvie Swartz joins her for an in-studio performance.

Bassist Milt Hinton pushed his instrument to new territories in jazz. He was also an avid photographer, who took pictures other noteworthy musicians during their tours across the country. His new memoir and photography collection is called Bass Lines. Jazz critic Kevin Whitehead says the book brings Hinton out of the shadows.

Performer-in-residence Dick Hyman demonstrates the techniques that defined Fats Waller's sound.

Jazz critic Kevin Whitehead has been thinking a lot about west coast jazz. Some easterners think the scene is tame and enervating, but Whitehead says the adventurous new album by Bert Wilson and his band Rebirth proves them wrong.