U.S. Slavery

The new movie, which tells the story of Nat Turner's 1831 slave revolt, is a righteous-vigilante tale — and an answer to D.W. Griffith's 1915 film of the same name.

In his new novel, The Underground Railroad, Whitehead returns to his childhood vision of the Underground Railroad as an actual locomotive that carries escaped slaves through tunnels.

A debut novel by Yaa Gyasi is one of this summer's most anticipated novels.

TV critic David Bianculli reviews the remake of the 1977 mini series Roots. He says it deserves to be seen and talked about.

Chris Tomlinson covered conflict, including apartheid in Africa, for 11 years. Then the great-great-grandson of Texas slaveholders realized he needed to write a book about his family's history.

In The Empire of Necessity, historian Greg Grandin tells the story of a slave revolt at sea. The 1805 event inspired Herman Melville's Benito Cereno, and Grandin's account of the human horror is a work of power and precision.

In her new book, Andrea Stuart explores the intersection of sugar, slavery, settlement, migration and survival in the Americas. Stuart's personal history was shaped by these forces -- she is descended from a slave owner who had relations with an unknown slave.

In a new book, Civil War historian Bruce Levine says that from the destruction of the South emerged an entirely new country, making the Civil War equivalent to a second American Revolution. Integral to the Union's victory, he says, were the nearly 200,000 black soldiers who enlisted.

In The Long Road to Antietam, historian Richard Slotkin traces how both Northern and Southern strategies changed in the summer of 1862, when both sides committed to an all-out total war, and Lincoln squared off against Gen. George McClellan.

Historian Henry Louis Gates Jr. looks at the cultural legacy of African slaves brought to Latin America.

Abraham Lincoln always thought slavery was unjust — but struggled with what to do once slavery ended. Historian Eric Foner traces how Lincoln's thoughts about slavery — and freed slaves — mirrored America's own transformation in The Fiery Trial: Abraham Lincoln and American Slavery.

Set in the 17th century, Toni Morrison's new novel A Mercy is the story of a slave girl whose mother gives her away to a stranger in a desperate attempt to secure her a better future. Maureen Corrigan hails the book as a prequel (of sorts) to Morrison's earlier novel Beloved.

Theologian Dwight Hopkins provides a historical perspective on black liberation theology. Hopkins is an ordained Baptist minister and a professor of theology at the University of Chicago Divinity School.

In the period after the Civil War, former slaves were made promises of equality and citizenship by the federal government. Historian Eric Foner analyzes the fate of those promises in Forever Free: The Story of Emancipation and Reconstruction.

Book critic Maureen Corrigan reviews Harriet Tubman: The Road to Freedom by Catherine Clinton.

His novel, The Known World, is receiving critical acclaim and has been selected as a finalist for the National Book Award for fiction. It's about a black farmer and former slave who becomes a slave owner. Jones made his literary debut more than 10 years ago with Lost in the City, a collection of short stories about struggling black residents of Washington, D.C. It won the Lannan Literary Award. Until recently Jones made his living as a proofreader for the trade magazine Tax Notes.

While working at a blueprint shop in Charleston, South Carolina, a customer brought in some Confederate money to order a blowup. The imagery shocked Jones. The money showed slaves. Jones began to collect the brown and gray money with slaves picking cotton, corn and tobacco and loading barrels cheerfully. He then created large scale full color paintings based on the images. The art is now on display at America's Black Holocaust Museum in Milwaukee, Wisconsin.

Kevin Bales is a leading expert on the modern-day practice of slavery. He is author of the new book "Disposable People: New Slavery in the Global Economy." (University of California Press) Bales is a principal lecturer at the Roehampton Institute, University of Surrey, England.

Professor of History at Columbia University Eric Foner discusses the new study guide by the producers of the film "Amistad." Though Foner finds the film "interesting historical(ly)" he is critical of the guide because of it's inaccuracies. Foner says the guide "erases the distinction between fact and fabrication," using composite characters instead of real ones, and that the guide misrepresents the significance of the Amistad incident. (Foner's editorial about this appeared on The New York Times Op-Ed page, December 20, 1997)