Documentary

Cinematographer Nestor Almendros. The films he has photographed include "Sophie's Choice," "Kramer vs. Kramer" and "Days of Heaven," for which he won the Academy Award. He has directed the photography for films by Eric Rohmer and Francois Truffaut. Almendros worked in Havana in the early years of the Castro regime before he had a falling out with the authorities.

Ken Tucker reviews a home video documentary about Fairport Convention, one of the most eclectic folk bands of the 60s and early 70s.

Photographer Bruce Weber, who does the fashion ads for Calvin Klein and Ralph Lauren. He recently finished a documentary movie about young boxers. It's titled "Broken Noses" and opens at the upcoming New York Film Forum.

Filmmaker Albert Maysles. He was a pioneer of the cinema verité style, where the camera acts as an eye and the film proceeds without narration or script. With his late brother David, Albert Maysles made the films "Gimme Shelter," and the recent "Vladimir Horowitz: The Last Romantic," which won two Emmys.

Critic Ken Tucker believes the new film, now on home video, highlights the importance of an often overlooked medium. His only quibble is with sci-fi author Harlan Ellison's narration, which Tucker says is unnecessary.

Terry Zwigoff is the director and producer of the documentary "Louie Bluie," about jazz violinist and mandolinist Howard Armstrong. Armstrong continues the tradition of black string bands in the nineteen-teens and the nineteen-twenties. Armstrong's career was revived in the nineteen-seventies on the college circuit. Zwigoff plays the cello and mandolin himself, including in cartoonist R. Crumb's band, and collects jazz records.

Documentarian and filmmaker Frederick Wiseman's films often dissect institutions. He emphasizes that his films are biased and reflect his own point of view. He joins the show to discuss his career.

EMILE DE ANTONIO is regarded as one of the most important political filmmakers of the American Left.

Godfrey Reggio is an experimental filmmaker whose work makes uses of montage and sound. His first film, a documentary, "Koyaanisqatsi," derives its title from the Hopi word meaning "unbalanced life." The film manipulates images of cityscapes, and Reggio describes it as showing "the beauty of the beast." The film's music is composed by Philip Glass. Reggio intends the documentary to produce a mind-opening experience for the viewer through the fusion of music and image--to be inspiration, not entertainment.

Les Blank is one of the filmmakers who directed the documentary "Burden of Dreams," which will be playing at the International House in Philadelphia. The documentary is about the making of Werner Herzog's fictional film "Fitzcarraldo," which chronicles an Irishman trying to build an opera house in the Amazonian jungle. This interview originally aired on Michael Goodwin's radio program about film on Pacifica Radio Station KPFA in Berkeley. (INTERVIEW BY MICHAEL GOODWIN)

Documentarian Bob Mugge's new film "Black Wax" is a performance documentary with poet and activist Gil Scott-Heron. The film documents performances by Scott-Heron, including some with wax figures. Mugge's previous film "Amateur Night at City Hall," was a documentary about Frank Rizzo. The film includes Scott-Heron performing a portion of his poem/song "The Revolution Will Not Be Televised."

As a member of the Student Non-Violent Coordinating Committee (SNCC), Lyon documented many of the violent clashes between polices and protestors during the civil rights era. He continues to produce politically-charged photos and movies today.

George T. Nierenberg made the documentary No Maps on My Taps, which captures the history of jazz and tap dancing. One of Nierenberg's subjects, Sandman Sims, tells Terry Gross about his career as a dancer.

Documentary filmmaker Robert Drew has revolutionized the genre by dispensing with narrators and adopting a more dramatic, theatrical approach. His best known movie, Primary, follows the presidential run of John F. Kennedy and Hubert Humphrey.

In 2013, acclaimed ballerina Wendy Whelan underwent reconstructive surgery that left her hobbled, both physically and emotionally. For Whelan, it wasn't just her career with the New York City Ballet that was at stake; it was also her artistic voice.