Animation & Cartoons

Bugs Bunny and Daffy Duck have recently been revived in the podcast, "Bugs and Daffy's Thanksgiving Adventure." We mark the occasion by listening to our 1989 interview with Jones, who died in 2022.

David Sipress endured years of rejection before finally landing a gig with The New Yorker in '98. "I wasn't about to let all that rejection get in the way," he says. His new memoir is What's So Funny?

Wilson, who died Nov. 21, was fascinated by monsters, which he saw as metaphors for human fears and weaknesses. His work was often inspired by science fiction. Originally broadcast in 1986.

"Drawing is way of exorcising fears, and, for me, a way of controlling them," Hanawalt says. She's the creator of the Netflix animated series Tuca & Bertie and creative designer of BoJack Horseman.

You might not recognize actor Andy Serkis, but you've probably seen his characters on-screen. Searches is Hollywood's go-to actor for computer-generated roles. His movies include Lord of the Rings, King Kong and Rise of the Planet of the Apes.

This week, we're listening back to some favorite Fresh Air interviews from the past decade. In 2011, Terry Gross spoke to the creators of South Park about their Broadway hit.

The director's new sci-fi comedy stars Simon Pegg and Nick Frost as two guys who hit the highway after Comic-Con -- and pick up an ET on the side of the road. The character-driven laughs depend on your buying into a main character who's entirely computer-generated.

James Cameron's trademark blend of grandiosity, jaw-dropping technology and cornball populism is back — and mightier than ever — in Avatar, a vertigo-inducing sci-fi epic that's as predictable and tin-eared as it is savvy and technically adept.

A new tactic has emerged in the angry debate over cartoons depicting religious figures, as an Israeli artist launches a contest for the best anti-Semitic cartoon -- drawn by a Jew. Amitai Sandy says the Israeli Anti-Semitic Cartoons Contest is a response to an Iranian newspaper's competition for cartoons on the Holocaust.

John Lasseter, Executive Vice President of Creative for Pixar, Inc. Lasseter was one of the founding members of the computer-animated filmmaking company. He served as director and animator of the feature films Toy Story, Toy Story 2 and A Bug's Life. Lasseter also directed a number of shorts for Pixar, including Tin Toy, Red's Dream and Luxo, Jr. Lasseter joined Lucas film's Computer Division in 1984, and then helped create Pixar in 1986. He previously worked as an animator for Walt Disney. This interview first aired February 27, 2002.

John Lasseter, Executive Vice President of Creative for Pixar, Inc. Lasseter was one of the founding members of the computer animated filmmaking company. He served as Director and Animator of the feature films Toy Story, Toy Story 2 and A Bugs Life. He was also Executive Producer of Monsters, Inc. Toy Story was the first computer-animated feature film. Lasseter also directed a number of shorts for Pixar, including Tin Toy, Reds Dream and Luxo, Jr. Tin Toy won an Oscar in 1988 for Best Animated Short Film.

Cartoonist Dan Piraro. Since 1985, his "Bizarro" cartoons have been featured in papers such as the Boston Herald, the Seattle Times, and the Toronto Globe and Mail. When his publicist would not pay for a promotional tour of his book "Bizarro #9" (Andrews McMeel). Piraro asked his fans if they might be able to provide him with lodging, transportation, and food as he traversed the country. He's since written a book about this experiences on the road: "Bizarro Among the Savages" (Andrews McMeel).

American artist Roy Lichtenstein. He was one of the inventors of pop art in the 1960's, finding inspiration for his paintings in comic books and advertisements. (More recently, he's found it in the yellow pages of the phone book). Lichtenstein's work often replicates the heavy black outlines, bright colors and dots of a color comic strip found in a newspaper. Called by one critic the "supreme virtuoso of pop", his work is filled with constant references to high and low arts as well as to his own work.

Cartoonist John Callahan. Callahan comes up with comics that are both funny and often offensive (a typical example: an obese man stands with his obese son in front of the refrigerator, saying "Son, someday all of this will be yours."). Callahan often pokes fun at alcoholics and the disabled, something he's qualified to do. Callahan was a alcoholic for many years, and he was left a quadriplegic after a drunk driving accident.

Lasseter began his career as a traditional animator; now he works for the production studio Pixar, founded by Steve Jobs. He joins Fresh Air to talk about the mechanics of computer animation, and how he tries to get audiences to look past the novelty of his approach and focus on the story.

Tony Auth, political cartoonist for The Philadelphia Inquirer. Auth's single-frame cartoons appear in more than 100 papers around the country through syndication. A new collection of his cartoons has just been published. It's titled Lost in Space: The Reagan Years.

Illustrator Ralph Steadman. Best known for his collaborations with the journalist Hunter S. Thompson (Fear and Loathing in Las Vegas), Steadman's cartoons feature an America brainwashed by the mass media and manipulated by its leaders. His ink blob-splattered illustrations lampoon President Reagan, AIDS hysteria, the specter of nuclear annihilation and, of course, Richard Nixon. (Interview by Faith Middleton)

Computer animator Steven Segal. Segal does his programming on his home computer, unlike most computer animation which is composed on complex processors. His entry in a national computer animation festival is titled "Dance of the Stumblers."

Political cartoonist Doug Marlette draws inspiration from a lifetime in the South, including its fervent religious culture -- which he satirizes in his new book, There's No Business Like Soul Business.