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13:00

Need An Escape? Try 'Unorthodox,' 'Baghdad Central' And 'Abigail'

The Russian poet Joseph Brodsky once said that prison is a lack of space counterbalanced by a surplus of time. Our current lockdown can't be compared to being locked up, but with so much surplus time on our hands, many of us are eager for stories that will help us escape endless thoughts of COVID-19. Here are three that did that for me: Unorthodox, Baghdad Central, and Abigail.

Review
50:30

'War Doctor' Says Treating COVID-19 Is Like Fighting An Invisible Enemy

For more than two decades, trauma surgeon David Nott spent several weeks each year volunteering in some of the world's most dangerous conflict zones, including Syria, Afghanistan, Congo, Iraq, Yemen and Sarajevo. Now he's in London, applying some of what he learned in war zones and disaster areas as he treats patients with COVID-19.

Interview
06:53

Staying At Home? Check Into Emily St. John Mandel's Haunting 'Glass Hotel'

It's hard to focus right now. So recommending a book can seem, well, out-of-touch. Unless, that is, the recommendation is for a novel that's so absorbing, so fully realized that it draws you out of your own constricted situation and expands your sense of possibilities. For me, over the past 10 days or so, the novel that's performed that act of deliverance has been The Glass Hotel, by Emily St. John Mandel.

Review
50:30

'All Of This Panic Could Have Been Prevented': Author Max Brooks On COVID-19

Apocalyptic novelist Max Brooks is something of an expert on planning for pandemics and other disasters. The author, whose books include World War Z, Germ Warfare and the forthcoming Devolution, has toured the Centers for Disease Control and Prevention and has reviewed government response plans related to various emergency situations — all in the course of research.

Interview
52:30

'This Is Why We Play': Amid Pandemic, Philadelphia Orchestra Livestreams Beethoven

Concert halls and music venues around the world have been shuttered due to the outbreak of the COVID-19 pandemic, but before closing its doors, the Philadelphia Orchestra gave one last performance on March 12 — to an empty concert hall. Conductor Yannick Nézet-Séguin describes the experience of playing in a vacant hall and hearing silence at the end of each piece. And we listen to a 2019 interview with Yannick.

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