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Shelley Winters Discusses Her Midlife Career.

Shelley Winters. With two Oscars and well over 100 films to her credit, Winters is a star in the classic Hollywood mode. But she is almost as well known for her off-screen adventures and irrepressible life style that made her a staple in the gossip columns. She is best known for her roles in the films "A Place in the Sun," "Night of the Hunter," "Diary of Anne Frank" and "A Patch of Blue." Off-screen, Winters went through a succession of tempestuous marriages, but was also a highly visible participant in the careers of Adlai Stevenson and John Kennedy, and in the civil rights movement. She second volume of Shelley Winters autobiography has just been published. It's titled Shelley II: The Middle of My Century. (Interview with Sedge Thomson)

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Other segments from the episode on August 21, 1989

Fresh Air with Terry Gross, August 21, 1989: Interview with Shelley Winters; Review of Alvin Batiste's album "Bayou Magic"; Interview with Christopher Alexander; Review of the television program …
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07:04

Clarinet Virtuoso Alvin Batiste Releases a Spirited Album.

Jazz Critic Kevin Whitehead reviews "Bayou Magic," a new album by clarinetist Alvin Batiste. Since the 50s, Batiste has been a key figure in the modern jazz movement in New Orleans. Under the auspices of the State Department, he has toured the world extensively, and is also a teacher at Southern University in Baton Rouge, where his students have included Branford Marsalis and Donald Harrison.

Review
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11:02

Defining Humans' Relationship to Space.

Architect and writer Christopher Alexander. His philosophy of "every man an architect" holds that ordinary people are the best designers of their own homes and workplaces, and that intuition in design should be trusted ahead of reason. He has worked this position out in books like A Pattern Language and The Timeless Way of Building, books that have made him a leading figure in a continuing schism in the architectural community against the `glass box' syndrome of modern architecture. (Interview by Sedge Thomson)

Interview
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02:47

Why is "Primetime Live" Live?

Television critic David Bianculli reviews "Primetime Live," ABC's enormously hyped live, hour-long, primetime news program featuring Sam Donaldson and Diane Sawyer.

Review

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32:55

'Sex, Lies And Stardom': Exploitation In Howard Hughes' Hollywood

Billionaire filmmaker Howard Hughes has long been regarded as one of Hollywood's most eccentric and prolific playboys. A few years back, writer and film critic Karina Longworth stumbled onto an online message board, listing women Hughes had had sexual relationships with — just a list of names, no other information.

"In each of these names there's a whole life and a whole story," says Longworth, who hosts the film podcast You Must Remember This.

Interview
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26:56

Actress Sarah Polley

The 24-year-old Polley has acted professionally since the age of 6. She starred in the Atom Egoyan films Exotica and The Sweet Hereafter. She's currently starring in the film My Life Without Me, based on a story by Nanci Kincaid called Pretending the Bed is a Raft. It's about a young, working single mother who learns she's going to die but keeps it a secret. The changes she makes to her life give her a new sense of liberation. Polley also will appear in the upcoming film The I Inside and a remake of the cult horror film Dawn of the Dead.

Interview

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52:30

Daughter of Warhol star looks back on a bohemian childhood in the Chelsea Hotel

Alexandra Auder's mother, Viva, was one of Andy Warhol's muses. Growing up in Warhol's orbit meant Auder's childhood was an unusual one. For several years, Viva, Auder and Auder's younger half-sister, Gaby Hoffmann, lived in the Chelsea Hotel in Manhattan. It was was famous for having been home to Leonard Cohen, Dylan Thomas, Virgil Thomson, and Bob Dylan, among others.

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This fake 'Jury Duty' really put James Marsden's improv chops on trial

In the series Jury Duty, a solar contractor named Ronald Gladden has agreed to participate in what he believes is a documentary about the experience of being a juror--but what Ronald doesn't know is that the whole thing is fake.

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