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The Second Batch of Rare Ellington Recordings.

Jazz Critic Kevin Whitehead reviews volumes 6 through 10 of Duke Ellington's "Private Collection," a series featuring previously unreleased Ellington compositions. Kevin says when the first five volumes were released it was a revelation. This new collection isn't quite as brilliant, but it's still a must have for any serious Ellington fan.

06:58
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Other segments from the episode on July 10, 1989

Fresh Air with Terry Gross, July 10, 1989: Interview with Bonnie Raitt; Review of Duke Ellington's albums "Private Collections, Volumes 6-10"; Interview with Kirk Douglas; Review of the television…
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22:15

Bonnie Raitt's New Album Arrives in the "Nick of Time."

Blues singer and musician Bonnie Raitt. Raitt fell in love with the blues while attending college, and although it seems unlikely that a white girl from an upper class background would take a blues career seriously, she's since proved herself to be one of the country's top blues acts. Raitt's latest album is called "Nick of Time." (Rebroadcast. Originally broadcast on Friday, March 3, 1989.)

Interview
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11:20

"The Ragman's Son" Remembers.

Actor Kirk Douglas. Douglas has been in more than 75 films, among them "Spartacus," "Lonely Are The Brave," "Gunfight at the OK Coral," and "Tough Guys." Douglas was also one of the first stars in Hollywod to start his own production company. His son, Michael Douglas is currently one of Hollywood's hottest stars and producers. Kirk Douglas' autobiography, The Ragman's Son, has just come out in paperback. (Rebroadcast. Originally broadcast on Monday, August 22, 1988.)

Interview

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06:59

Looking at Ellington's Jazz Suites with New Eyes.

Jazz Critic Kevin Whitehead continues his review of "Private Collection," the ten-volume set of Duke Ellington compositions. In this review, Kevin focuses on one of Ellington's major suites - and a highlight of the collection - "Black, Brown and Beige."

Review
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06:09

'Dancing On The Edge' Is Fun For Both The Eyes And The Ears

Set in London in the early 1930s, the five-part miniseries is about a black jazz band trying to crack the dance halls and radio playlists. Critic David Bianculli says this music-centered show features full, unpredictable characters and some exceptionally intriguing performances.

Review

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