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Film Editor and Sound Designer Walter Murch

Murch re-edited Orson Well's 1958 film "Touch of Evil." At the time of the film's initial release, the studio remixed the film to Well's displeasure. He fired off a letter with suggested changes. With those notes as their guide, Murch and re-edit producer Rick Schmidlin have reconstructed the film to Well's intentions. Some of the other films he's edited and/or mixed are "The Conversation," "American Graffiti," "Apocalypse Now," "The Godfather (II, and III)"and "The English Patient."

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Other segments from the episode on September 8, 1998

Fresh Air with Terry Gross, September 8, 1998: Interview with Walter Murch; Review of reissued recordings of George Gershwin's music.
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07:40

Two Reissues of Porgy and Bess Commemorate Gershwin's 100th Birthday

Classical music critic Lloyd Schwartz reviews some reissues of music from Gershwin's "Porgy and Bess." They are: the first complete recording of Porgy and Bess, reissued in Sony's Masterworks Heritage Series, and Selections from Porgy and Bess with Erich Kunzel and the Cincinnati Pops, on Telarc.

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Film Editor and Sound Designer Walter Murch.

Film editor and sound designer Walter Murch. He won an Academy Award for sound design for "Apocalypse Now." Some of the films he's edited and/or mixed are "The Conversation," "American Graffiti," "Apocalypse Now," "The Godfather (II, and III)"and "Crumb." He's written a new book about his work, "In the Blink of An Eye: A Perspective on Film Editing," (Silman-James Press, L.A.)

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