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Terry Gross at her microphone in 2018

Terry Gross

Terry Gross is the host and an executive producer of Fresh Air, the daily program of interviews and reviews. It is produced at WHYY in Philadelphia, where Gross began hosting the show in 1975, when it was broadcast only locally. She was awarded a National Humanities Medal from President Obama in 2016. Fresh Air with Terry Gross received a Peabody Award in 1994 for its “probing questions, revelatory interviews and unusual insight.” America Women in Radio and Television presented her with a Gracie Award in 1999 in the category of National Network Radio Personality. In 2003, she received the Corporation for Public Broadcasting’s Edward R. Murrow Award for her “outstanding contributions to public radio” and for advancing the “growth, quality and positive image of radio.” Gross is the author of All I Did Was Ask: Conversations with Writers, Actors, Musicians and Artists, published by Hyperion in 2004. She was born and raised in Brooklyn, NY, and received a bachelor’s degree in English and M.Ed. in communications from the State University of New York at Buffalo. She began her radio career in 1973 at public radio station WBFO in Buffalo, NY.

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21:26

Robert Wittman's 'Priceless' Pursuit Of Stolen Art

Robert Wittman founded the FBI's Art Crime Team and tracked down more than $225 million worth of stolen art and cultural property — including a $36 million self-portrait by Rembrandt. He describes the heists in his memoir, Priceless: How I Went Undercover to Rescue the World's Stolen Treasures.

Interview
21:36

Chris Weitz: From 'New Moon' To 'A Better Life'

The director's latest film follows a Mexican immigrant living illegally in Los Angeles who tries to evade immigration officials and the city's pervasive gang culture. It's a far cry from Weitz's earlier films, the blockbusters The Golden Compass and New Moon.

Interview
26:24

'That's How' Christoph Niemann Explains It All

Illustrator Christoph Niemann's work ranges from whimsical children's books to poignant cover art for The New Yorker, but he's not interested in ending up in a museum. "I get a much bigger kick out of having my image seen like a million times for like 20 seconds," he says.

Interview

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