Kevin Whitehead

Jazz Critic Kevin Whitehead reviews "Twilight Dreams," the third album by Lester Bowie's Brass Fantasy. With the exception of drums, the band consists entirely of brass instruments.

Jazz Critic Kevin Whitehead pays tribute to bandleader and arranger Gil Evans, who died on March 20. A reissue of Evans' music from the early 60s has just been released, and Whitehead uses that record to comment on Evans' varied contribution over the course of his 40-year career.

Jazz Critic Kevin Whitehead reviews "She's a Great Great Girl," the second album from singer Daryl Sherman.

Jazz Critic Kevin Whitehead reviews a reissue of the post-World War II work of Woody Herman and The Thundering Herd, one of the best-known big bands. There were almost half a dozen version of The Thundering Herd, but it was the configuration featured on this album that made Herman a household name.

Jazz critic Kevin Whitehead reviews a 1973 recording of the South African quintet Spear, featuring saxophonist Dudu Pukwana. Like many of South Africa's best-known jazz artists, Pukwana emigrated in the middle 60s, settling in England and helping to spark the rich jazz scene there.

Jazz critic Kevin Whitehead reviews the latest album from avant-garde saxophonist and composer John Zorn, in which Zorn plays homage to the detective writer Mickey Spillane.

Jazz critic Kevin Whitehead reviews the new album "Whatever Next!," from Wally Fawkes and his Soho Shakers. Fawkes is an English clarinetist who has been a part of the British traditional jazz scene since its beginnings in the 1940s.

Jazz Critic Kevin Whitehead reviews "Cracked Sidewalks" the new album from tenor saxophonist Rich Halley and his sextet. Halley lives in Oregon, a reminder, Kevin says, that not all jazz is spawned in New York.

Jazz Critic Kevin Whitehead reviews "Your Eyes," the second big band album by the Norwegian pianist and composer Per Husby.

Jazz Critic Kevin Whitehead reviews "Easily Slip Into Another World," the latest album by saxophonist Henry Threadgill and his sextet. Whitehead says that more than any other current jazz composer, Threadgill mixes strains from all phases of jazz history.