Kevin Whitehead

Jazz critic Kevin Whitehead reviews a new reissue of recordings by Artie Shaw's quintet, the Grammercy Five, which went through a lineup changes over the years. He says it reveals the seriousness of Shaw's search for greatness.

Jazz critic Kevin Whitehead says a new album by Connie Crothers and the Lennie Popkin Quartet features predictable, snaking melodies, but, like their mentor Lennie Tristano, they keep up the intensity beneath their cool exterior.

Jazz critic Kevin Whitehead says critical darling's piano music is often considered dark and heavy. But Blake's new album, Painted Rhythms Volume II, also has a sharp wit.

Buell Neidlinger is a session musician who has recorded with several pop, folk and jazz musicians. He leads a string band on his new album, performing the music of Duke Ellington and Thelonious Monk. Jazz critic Kevin Whitehead says it breaks down the barrier between serious art and raucous fun.

Jazz critic has this profile of Roy Eldridge, an early pioneer of the jazz trumpet, whose style departed from greats like Louis Armstrong in several important ways.

Jazz critic Kevin Whitehead says much of saxophonist Ahmed Abdullah's new album, Liquid Magic, takes its cues from South African musical traditions. Whitehead says that the international influence on a style already born of African traditions proves that jazz is in no danger of stagnating.

Jazz critic Kevin Whitehead says the saxophonist, often associated with the avant-garde, can't easily be pigeonholed. Lake's big band album takes its cues from Eric Dolphy, blues, and gospel. The ensemble may be loose, but the soloists shine.

On his new album, trumpeter Herb Robertson reinterprets several compositions by the late pianist. Jazz critic Kevin Whitehead says the record emphasizes the jubilance of Powell's music, rather than the difficulties he faced later in life.

Jazz critic Kevin Whitehead says the blues singer's reissued album of Bessie Smith songs is a winner. Recent attempts of contemporary pop singers to cover the work of classic artists can't compare to recordings of Baker's era.

Kevin Whitehead says that some listeners place too much emphasis on Tom Harrell's schizophrenia, which often makes him appear withdrawn while performing. Whitehead thinks they should pay more attention to how the jazz trumpeter and flugelhorn player can make fresh music out of familiar ideas.