Ed Ward

Huey Meaux wound up in jail twice, but he sure had a knack for finding talent in unlikely places.

In 1958, Lewis suffered a precipitous decline in popularity when people learned that his new wife was not only 13, but also his cousin. Nobody would touch his records. Then, in 1963, he signed a deal with Smash and it looked like things were getting better.

Before he became the guitarist for ZZ Top, Billy Gibbons was in a band called the Moving Sidewalks that just missed its shot at stardom. The album the Moving Sidewalks never released in the late 1960s was released in late 2012 and is very much a period piece, albeit a very well-made one.

Franklin found her voice in songs such as "I Never Loved a Man" for Atlantic Records in the 1960s. Before Atlantic, however, Franklin recorded for Columbia, and in those early recordings you can hear the legend just beginning to emerge.

In the early 1960s, Joe Barry combined Cajun and country music into a whole new sound. In honor of a new anthology of Barry's music titled A Fool to Care, critic Ed Ward tells the forgotten musician's story.

One of the great fantasies of the hippie era was that new combinations of music would emerge from the experimentation that was going on. Still, very few lived it. Ed Ward says The Insect Trust was one of the exceptions.

There are lots of stories about the band that got away. For rock historian Ed Ward, one of those groups has always been Autosalvage, a New York quartet who made one album and then stopped playing.

Charles was one of those rock 'n' roll figures whose work you're almost certainly familiar with, even if you've probably heard of him. He lived in isolation, recorded very little, didn't perform live and died in 2010. Rock historian Ed Ward looks at his memorable body of work.

It's hard to believe today, but in the mid-1950s, Los Angeles didn't mean much in terms of popular music. But the coming of rock 'n' roll meant an infusion of tiny record labels -- and one was Dore, run by a happy-go-lucky guy named Lew Bedell. Ed Ward tells its short, crazy story here.

Before the Civil Rights movement, segregated American cities helped give birth to the Chitlin' Circuit, a touring revue that provided employment for hundreds of black musicians. Rock historian Ed Ward profiles two recent books which illuminate the conditions these musicians endured.