David Edelstein

The lives of writers drive two films opening this week: The Rum Diary, starring Johnny Depp, dramatizes a Hunter S. Thompson novel. Roland Emmerich's Anonymous, meanwhile, examines who wrote Shakespeare's plays. Critic David Edelstein says both films show how hard it is to write about writers.

This fiscal thriller, starring Kevin Spacey, Zachary Quinto and Demi Moore, is set during one day in 2008, as a group of brokers try to prevent their firm from going belly up. David Edelstein says that given the headlines, the film's timing couldn't be better. (Recommended)

Pedro Almodovar's film The Skin I Live In reunites him with actor Antonio Banderas, who first came to international attention as an obsessive lover in the director's 1987 film Law of Desire. This time, Banderas plays a scientist driven to replace his dead wife with a carbon-based copy.

An idealistic campaign press secretary (Ryan Gosling) finds himself in the middle of a scandal that could threaten his candidate's chances of becoming president.

In Take Shelter, Michael Shannon dreams of an apocalyptic storm, and builds a backyard bunker for his family to survive. Critic David Edelstein says the film is terrific.

Moneyball stars Brad Pitt as Billy Beane, the Oakland A's general manager who used analytics and statistics to stay competitive against other teams with much larger payrolls. Critic David Edelstein says the film, based on the 2003 Michael Lewis book, is "entertaining as a sports-underdog story."

Drive is what Driver does, and driven is how audiences will feel after a screening of Nicholas Winding Refn's brutally moving thriller, which stars Ryan Gosling, Carey Mulligan, Bryan Cranston and Albert Brooks. (Recommended)

Vera Farmiga makes her directorial debut with Higher Ground, which centers on a woman who joins and then flees a fundamentalist religious order. Film critic David Edelstein says the movie is "complicated and unresolved in the best possible way."

Raoul Ruiz's 4 1/2 hour Portuguese/French melodrama -- a puppet theater of the upper class -- won't be everybody's cup of tea. But critic David Edelstein says the film's haunting mix of distance and intimacy makes the hours fly by.

Emma Stone and Viola Davis star in the film adaptation of Kathryn Stockett's best-selling novel about a white woman who sets out to tell the story of black domestic servants in 1960s Mississippi. Critic David Edelstein says that both Stone and Davis pull off stunning performances.