David Edelstein

In Paolo and Vittorio Taviani's new film, Caesar Must Die, a group of prisoners put on Shakespeare's Julius Caesar. It's barely an hour and a quarter, and it's physically small-scale, but it's so compressed it wears you out -- in a good way.

The Oscar-nominated documentary directed by Dror Moreh is not a defense of Israeli security policy, but a critique. The six Shin Bet heads Moreh interviews may believe in the tactics they devised, but it's the overall strategy they think is flawed.

In an age of werewolves, hormonal vampires and endless sequels, horror movies have lost some edge. But Mama, starring Jessica Chastain, is an entertaining step in the right — which is to say backward — direction.

Kathryn Bigelow's film tells the story of the U.S. hunt for the mastermind behind the Sept. 11 attacks. Critic David Edelstein says the film presents itself as a work of journalism, but that there's no doubting its perspective: It's the story of America's "brilliant, righteous revenge."

Ang Lee's meticulously controlled style makes a perfect fit for Life of Pi, a passionately overcontrolled adaptation of a wondrous adventure story with a surprisingly harsh sting in its tail.

David O. Russell's Silver Linings Playbook stars Bradley Cooper as a bipolar high school teacher trying to put his life back together. But critic David Edelstein says it's the performance of co-star Jennifer Lawrence that makes the film a hot ticket.

Two of the year's most highly anticipated movies arrive this week. Steven Spielberg's Lincoln, starring Daniel Day-Lewis, and Skyfall, the third film starring Daniel Craig as James Bond 007, directed by American Beauty Oscar-winner Sam Mendes. Film critic David Edelstein has this review of both.

David Mitchell's exquisite novel Cloud Atlas has been adapted for the screen by the Wachowskis and Tom Tykwer. The film is never dull, but critic David Edelstein found that unlike the book, the film fails in its attempt to tie six distinct stories together.

Writer Mark O'Brien spent most of his life in an iron lung. He was the subject of an Oscar-winning documentary, and now his story is told again in the semi-fictionalized feature The Sessions. Critic David Edelstein reviews the story of how one man lost his virginity — and found out how to love.

Ben Affleck's Argo, which is based on the declassified story of the CIA's mission to save six American diplomats trapped in Iran in 1979, is gripping, compelling and, at times, hilarious. But, as critic David Edelstein explains, the best parts of the "true" story are the parts that aren't true at all.