David Edelstein

Wes Anderson's new feature takes place at a resort hotel, between World Wars I and II. Fresh Air's critic says the visuals are so witty they transcend camp, but the dialogue isn't quite at that level.

Neeson became a bankable action hero in 2008 after the thriller Taken. Now almost 62, he's still getting out of tight corners with his fists. His new film unfolds on a transatlantic flight.

The new film from the acclaimed Japanese animator spans 30 years and centers on a young man who dreams of designing the perfect airplane in the early 1930s.

George Clooney's film tells the largely true story of a World War II squad of art experts assigned to protect European masterworks from Nazi theft and Allied bombardment. Critic David Edelstein says the film is engaging and earnest, but a little formulaic.

Gloria is a new film from Chile that centers on a late-middle-aged divorced woman whose life is full of ambiguity. She's played by Paulina Garcia, who won the top acting prize — the Silver Bear — at the 2013 Berlin Film Festival, where the movie was a surprise hit. It opens this week in New York and Los Angeles, and wider next month.

Tom Clancy's wonkish spy returns in a new thriller from Kenneth Branagh, with Star Trek's Chris Pine in the title role and the director playing a menacing Russian bad guy out to bring the U.S. to its knees.

A new film explores the affair between Dickens and a young actress for whom he left his wife, but who for years never showed up in biographies of Dickens. It's the second film directed by Ralph Fiennes, who also plays Dickens.

The film Her, written and directed by Spike Jonze (Being John Malkovich), follows a lonely man who falls in love with a computer operating system. Critic David Edelstein says it's the best film of the year by far. (Recommended)

A pair of con artists and their FBI wrangler go after political corruption in American Hustle, inspired by the Abscam scandal of the '70s. Critic David Edelstein says the film, directed by Davide O. Russell, is "a bit of a hustle itself" -- and still a hell of a ride.

Brothers Joel and Ethan Coen continue to mine American pop culture in their latest film. It's 1961 in Greenwich Village, and a homeless folk singer is trying desperately to break out. Critic David Edelstein says the overarching tone of the film is snotty, condescending, and cruel.